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30
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The Preacher Man Speaks Out On Roman Polanski

When the Preacher Man heard on Sunday that Roman Polanski had finally been arrested on a thirty-year-old warrant and was facing imminent extradition to the United States for sentencing on a conviction of ‘unlawful sex with a minor’ the Preacher Man, as any all-round know-it-all would have, shrugged.

He knew the little Frenchman had been on the run for thirty years and was sure that one day the long hand of the law would pluck him from his life of luxury in Paris and deliver him safely back into the loving arms of the US Justice system.

Here was a subject that took the Preacher Man far away from his normal preaching-grounds of film and film-makers and deep into a decades-old legal case (for those who need a summary: The child testified before a grand jury but expressed a preference not to go through the circus of a trial by jury so, in a plea-bargain negotiated between Polanski’s lawyers, the DA and the presiding judge, the director admitted to the lesser charge mentioned above before being sent for a psychiatric evaluation. After 42 days in jail, while awaiting sentencing, Polanski heard that the judge was set to bow to public opinion and renege on his promise of a light sentence so promptly quit LA and the United States forever!).

But then the Preacher Man got wind of a growing outrage among conspiracy theorists, senior members of the French government, and the international community of film-makers and cinéastes.

The conspiracy minded paranoiacs were first to come forward with many a zany theory such as the one that claimed the Oscar-winning director’s arrest was a political act designed to soothe US/Swiss relations following their banking system’s refusal to divulge details of secret accounts requested by the US Treasury (now breathe!); almost simultaneously at least two senior members of the French government (Foreign Minister Bernard Kouchner and Culture Minister Fréderic Mitterrand) suggested that the arrest was both not very ‘nice’ (the former) and ‘didn’t make any sense’ (the latter).

Meanwhile, the Sociéte des Auteur et Compositeurs Dramatiques also known as the SACD (alternatively known as the most self-righteous yet morally vapid orgainisation ever to issue a demand) issued a statement demanding Polanski’s ‘immediate release’ which has now been signed by a who’s who of cinematic luminaries ranging from Woody Allen and Pedro Almodovar to Martin Scorsese and Wim Wenders.

This wave of outrage at Roman Polanski’s ‘unfair’ arrest has been both encouraged and disputed by various strands of the media, and while many of the conspiracy theories have already been either disproved or proved unlikely (eg. Swiss bank UBS AG has already been funnelling previously secret information to the US tax authorities for some time), and the crowd-pleasing politicos behind the stupidly bland and blindly ignorant statements as to the fugitive’s niceness and artistic merit have been widely dismissed as nitwits (the French government has just put out an official release stating that Mitterrand spoke without engaging his senses and that it considers Polanski neither above nor below due process of the legal negotiations now going on between Switzerland, the United States, France and Poland - of which Polanski also claims citizenship), that still leaves a troubling and rapidly growing list of film-makers and cinematic organisations who continue to demand the Swiss government expedite Polanski’s release.

The Preacher Man is a careful soul. He likes to read a contract carefully before signing it, He likes to understand an issue before speaking on it, and He will pedantically parse a petition before he puts his name to it.

It is in this spirit that he has closely examined the facile claptrap put out by the SACD and has a couple of simple questions to ask any or (given the opportunity) ALL of its signatories.

1)

In the preamble to your demand for Mr Polanski’s immediate release you state that the director "is a French citizen, a renown (sic) and international artist now facing extradition. This extradition, if it takes place, will be heavy in conseqeunces and will take away his freedom". Exactly what are you contesting with this?

a) That he didn’t admit to ‘unlawful sex with a minor’ and then jump bail before sentencing?

b) That convicted rapists (that’s what the crime makes him) shouldn’t face justice?

c) That renowned French citizens and international artists are somehow above the law?

2)

Do you really want to use Switzerland’s neutrality and the ‘extraterritorial nature of an international film festival’ as justification for giving moral and judicial amnesty to an elderly man who, when he was 44 years of age, lured a thirteen-year-old girl into his company and, according to her testimony before a Grand Jury that has never - to the best of the Preacher Man’s knowledge - been contested by either Polanski or his lawyers, filled her with champagne and quaaludes (a barbiturate-like seditive) before kissing her, performing oral sex on her and, despite her protestations, inserting his penis in her vagina and anus?

So Erika Abrams, Fatih Akin, Stephane Allagnon, Woody Allen, Pedro Almodovar, Gianni Amelio, Wess Anderson, Roger Andrieux, Jean-Jacques Annaud, Alexandre Arcady, Fanny Ardant, Asia Argento, Darren Aronofsky, Olivier Assayas, Alexander Astruc, Gabriel Auer, Alexandre Babel, Jean-François Balmer, Luc Barnier, Christophe Barratier, Xavier Beauvois, Liria Begeja, Gilles Behat, Jean-Jacques Beineix, Marco Bellochio, Monica Bellucci, Véra Belmont, Djamel Bennecib, Alain Berliner, Pascal Berney, Giuseppe Bertolucci, Lucien Blacher, Catherine Boissière, Thierry Boscheron, Freddy Bossy, Patrick Bouchitey, Cédric Bouchoucha, Paul Boujenah, Katia Boutin, Jacques Bral, Patrick Braoudé, Guila Braoudé, Anne Burki, André Buytaers, Christian Carion, Henning Carlsen, Jean-michel Carre, Lionel Cassan, Mathieu Celary, Teco Celio, Christophe Champclaux, Patrice Chéreau, Brigitte Chesneau, Catherine Chouchan, Elie Chouraqui, Souleymane Cissé, Jean- Pierre Clech, Henri Codenie, Robert Cohen, Alain Corneau, Jérôme Cornuau, Guy Courtecuisse, Miguel Courtois, Morgan Crestel, Dominique Crevecoeur, Alfonso Cuaron, Frédéric Damien, Sophie Danon, Luc et Jean-Pierre Dardenne, Hervé de Luze, Benoît Delmas, Jonathan Demme, Dante Desarthe, Romain Desbiens, Thomas Desjonquères, Alexandre Desplat, Rosalinde et Michel Deville, Guillaume D'Ham, Christelle Didier, Kathrin DiPaola, Ariel Dorfman, Georges Dybman, Jacques Fansten, Joël Farges, Gianluca Farinelli, Etienne Faure, Michel Ferry, Jean Teddy Filippe, Martine Fitoussi, Scott Foundas, Stephen Frears, Thierry Frémaux, Sam Gabarski, René Gainville, Matteo Garone, Tony Gatlif, Catherine Gaudin-Montalto, Costa Gavras, Jean-Marc Ghanassia, Terry Gilliam, Christian Gion, Stéphane Gizard, Christophe Goumand, Marc Guidoni, Dimitri Haulet, Buck Henry, David Heyman, Laurent Heynemann, Dominique Hollier, Isabelle Hontebeyrie, Frédéric Horiszny, Robert Hossein, Jean-Loup Hubert, Alejandro Gonzalez Inarritu, Gilles Jacob, Just Jaeckin, Anne Jeandet, Alain Jessua, Arthur Joffé, Pierre Jolivet, Kent Jones, Paola Jullian, Roger Kahane, Nelly Kaplan, Wong Kar Waï, Ladislas Kijno, Richard Klebinder, Harmony Korinne, Jan Kounen, Diane Kurys, Emir Kusturica, Jean Labadie, John Landis, Claude Lanzmann, David Lanzmann, André Larquié, Françoise Lassale, Carole Laure, Christine Laurent-Blixen, Emilien Lazaron, Vinciane Lecocq, Patrice Leconte, Claude Lelouch, Gérard Lenne, Pierre et Renée Lhomme, Marceline Loridan-Ivens, David Lynch, Michael Mann, François Margolin, Jean-Pierre Marois, Tonie Marshall, Mario Martone, Christine Mathis, Nicolas Mauvernay, Christopher, Spencer et Claire Mc Andrew, Allison Michel, Radu Mihaileanu, Jean-Louis Milesi, Claude Miller, Jean-Marc Modeste , Mario Monicelli, Jeanne Moreau, Christian Mvogo Mbarga, Juliette Nicolas-Donnard, Sandra Nicolier, Michel Ocelot, Eric Pape, Abner Pastoll, Alexander Payne, Richard Pena (Directeur Festival de NY) , Olivier Père, Suzana Peric, Jacques Perrin, Thomas Pibarot, Anne Pigeon Bormans, Michele Placido, Sabrina Poidevin, Agnès Catherine Poirier, Harry Prenger, Gilbert Primet, Philippe Radault, Tristan Rain, Jean-Paul Rappeneau, Raphael Rebibo, Jo Reymen, Laurence Reymond, Yasmina Reza, Christiane Rhein, Jacques Richard, Avital Ronell, Laurence Roulet, Marc Saffar, Gabriela Salazar Scherman, Walter Salles, Jean-Paul Salomé, Jean-Frédéric Samie, Marc Sandberg, Jerry Schatzberg, Julian Schnabel, Barbet Schroeder, Pierre Schumacher, Ettore Scola, Luis Gustavo Sconza Zaratin Soares, Martin Scorsese, Frank Segier, Guy Seligmann, Julien Seri, Pierre Silvant, Charlotte Silvera, Abderrahmane Sissako, Paolo Sorrentino, Roch Stephanik, Guillaume Stirn, Jean-Marc Surcin, Tilda Swinton, Jean-Charles Tacchella, Radovan Tadic, Danis Tanovic, Bertrand Tavernier, André Techiné, Cécile Telerman, Alain Terzian, Valentine Theret, Pascal Thomas, Giuseppe Tornatore, Serge Toubiana, Nadine Trintignant, Tom Tykwer, Alexandre Tylski, Jaques Vallotton, Betrand Van Effenterre, Jean-Pierre Vergne, Sarah Vermande, Gilles Walusinski, Wim Wenders, Anaïse Wittmann, Arnaud Xainte and Christian Zeender... not to mention Pathé, the Cannes Film Festival, and the Weinsteins... what do you say?

Can you answer these questions or are you simply too ignorant, arrogant and obnoxious to acquaint yourself with the few simple details of the case that should have made it impossible to lend your names to such a demand?

Go on! Speak up! The Preacher Man can’t hear you!

n.b. much has been made of the time passed since the crime and conviction and so the Preacher Man would like to refer the curious to an elegant and eloquent essay in yesterday’s Times by the esteemed British philosopher A.C. Grayling, who writes:

For serious crimes against the person - rape, murder, genocide - there is every justification for a robust and unyielding refusal to let anyone ever escape punishment for them. This holds even when the victims of such crimes, long afterwards, say that they no longer wish to see the perpetrator punished. In their kind and forgiving attitude towards the criminal, they inadvertently forgive the crime; that is something society should not do.

n.b. (again!) There have also been opinions proffered (yes Whoopi Goldberg, you fuckwit, you ignoramus, we’re talking about you) - opinions that are also implied by the SACF statement - that the young victim in some way encouraged Polanski’s behaviour (in his own words she was ‘not unresponsive’) or was deserving of it, that it wasn’t - in Whoopi’s words - ‘rape-rape’… anyone who dares utter or even entertain such sentiments should be referred to Joan Smith's protest in the Guardian that it is unacceptable for artists, political-leaders or indeed anyone to apologise for rapists at a time when fewer and fewer rape cases make it to court and fewer and fewer rape victims bother even reporting the crime for fear of not being believed.

15
SEP
Patrick Swayze - 1952-2009
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The great celebrity cull of 2009 continues with shocking abandon today as news reaches us that Patrick Swayze, the star of such beloved movies as Dirty Dancing, Point Break and Ghost, has died following a long and brave battle with pancreatic cancer. He was 57.

The snake-hipped, ass-kicking icon who was beloved by both women and men for his undeniable charm, movie-star good looks and deft dance moves passed away peacefully on Monday with family at his side after suffering from the illness for the past 20 months.

The actor, who had kept working despite the diagnosis, was most recently seen on the small screen in the well-received A&E drama, The Beast. In what would be his final performance, Swayze, reportedly opted not to use painkilling drugs while making the show because they would have taken the edge off his performance - a fairly typical act of defiance from an actor who always threw himself fully into his roles.

Having made a name for himself in films such as Francis Ford Coppola's brat pack flick The Outsiders and gung-ho actioner Red Dawn, Swayze etched his visage (and toned abs!) into the minds of a movie-going generation with his role as Johnny Castle, the dance instructor who argued that "Nobody puts Baby in a corner" in the hugely popular Dirty Dancing.

From there, his career roles vacillated between romance (with the likes of ethereal tear-jerker Ghost), blockbuster action (he kicked ass in Road House and took names in Point Break) and some impressively left-field efforts (dragging up for the marvelous To Wong Foo Thanks for Everything, Julie Newmar and playing a paedophile self-help guru in Donnie Darko).

A trained dancer and gymnast, the athletic Swayze parlayed his skills into a variety or challenging roles and was rewarded with three Golden Globe nominations throughout his career.

After an astonishing run of hits in the late Eighties and early Nineties, Swayze's star wattage took a dip with roles in such lackluster flicks as City Of Joy, Father Hood, Three Wishes and Black Dog. However, the new century saw a turnabout in his fortunes with a host of roles that played up to (and sometimes parodied) his iconic status.

Having fallen in love with dancing and acting from an early age, the Texan-born compensated for what were perceived by some of his peers as girly pursuits with award-winning turns in high-school football, gymnastics and swimming.

In the last months of his battle against cancer, Swayze still continued to work with his wife of 34 years, Lisa Niemi, by his side and his open honesty about the ravages of the disease were seem by many to be typical of his brave and noble nature.

Swayze's former Dirty Dancing co-star, Jennifer Grey, probably sums it up best with her tribute… "Patrick was a rare and beautiful combination of raw masculinity and amazing grace. It’s no surprise to me that the war he waged on his cancer was so courageous and dignified."


Glen Ferris
 
07
AUG
John Hughes - 1950-2009


The great celebrity cull of 2009 continues apace with the extremely sad news that filmmaker John Hughes has died at the age of 59.

The director who was credited with creating the teen movie genre passed on after reportedly suffering a heart attack during a morning walk in New York City. He is survived by his wife of 39 years, Nancy, and two sons.

Beloved by children of the 80s (and anyone who remembers the joy/pain of their teenage years), Hughes will forever be remembered as the writer, director and producer who created, among others, Ferris Bueller's Day Off, Home Alone, Weird Science, The Breakfast Club and Planes, Trains And Automobiles. Although he dropped out of film-making in 1991, his name is synonymous with the phrase "Teen Movie", having crafted some of the most loved and influential movies in the genre.

After a short time writing jokes for Rodney Dangerfield and Joan Rivers, Hughes moved into screenwriting having made a big splash with National Lampoon's Vacation. His first directorial effort, Sixteen Candles, marked Hughes out as a film-maker of note thanks to the movie’s realistic depiction of middle-class, high-school teenage life - a viewpoint which stood in stark contrast to many of the grosser efforts being turned out at the time (Porky's anyone?). It was the first in a string of huge hits that are still held close to film-lovers’ hearts more than 20 years on. The likes of Ferris Bueller's Day Off, The Breakfast Club, Pretty In Pink and Weird Science soon followed and solidified his reputation as a film-maker with a unique way of portraying the highs and lows of teen life on the big screen.

He soon made a conscious effort to move away from the genre he helped to create with straight-up comedies such as Uncle Buck, Home Alone and Planes, Trains And Automobiles but while these increased the laughs, they always exhibited the heart that endeared Hughes to so many people.

Check out some of his greatest hits below…

 



And don’t forget to check out this classic scene

Glen Ferris

 
05
AUG
Spectacular?

Still torn between the bifocals, metal frame or plastic thick-rimmed look? Fear not, Sky may have just the solution. With the announcement that BSkyB is to launch Europe's first 3D TV channel within the next year, there’s no doubt that the green and red specs will become the latest greatest eyewear.

Following the success of Sky’s most recent offering Sky+ HD, it seems audiences are more eager than ever to replicate the cinematic experience in their very own living room. Will it prove a Skyhigh success or yet another smell-o-vision type stinker?

If box-office sales of the first few 3D films to hit the big screen are anything to go by, Sky shouldn’t need to worry. Pixar has announced that from next year all its films will be produced in the 3D, placing huge confidence in the format, whilst Sky has reportedly spent months secretly filming sports events for 3D processing and has already produced a 3D version of the show Gladiators.

With the prospect of Usain Bolt speeding through your living room and the price of the 3D-box set to match that of HD, what’s stopping you? Don’t let the occasional headache, eyestrain, dizzy spell or epileptic fit put you off, it’ll be well worth it. Just think of the possibilities, Simon Cowell perched on your sofa, Jeremy Clarkson parking up in the kitchen…

If smell-o-vision makes its timely comeback, we could well see the day we get to sniff Come Dine With Me’s deliciousness. And who knows, maybe even 360º holographic type telly in time for Star Trek’s DVD release. Yes please.

Charlotte Balnave

04
AUG
Geek Treats – NBC Universal Movies On Your iPod


Hello, my name is Glen and I am a commuter. Damn it feels good to get that off my chest!


For too long, people have given me that sideways look when I tell them how long it takes me to get to work. For too long, they've said to me, "What the hell do you do with your time? It must be so damn boring!"


Well, it's not and that’s because I’ve got a secret weapon.


While my fellow commutees are staring at spreadsheets on their laptops or trying to digest the messed-up logic of the latest Dan Brown novel, I'm happily ensconced in my own little world thanks to my fruit-branded portable media player. Being a fanatical TV and film fan, it's something of a God-send having an hour and a half each way on the London-to-Brighton train to catch up with the stuff that I've missed - it's time enough to squeeze in a few episodes or a couple of flicks a day, and that makes me a very happy geek indeed.


What has made me even happier is the discovery that iTunes now supplies a shed-load of flicks and shows to rent or buy on easy download and one studio that has been savvy enough to sign up to this unique service is NBC Universal - the self-same guys who were kind enough to give me access to a few of their latest releases.


Now the small screen of your average iPod Touch or iPhone isn't going to be worrying the owners of your local multiplex just yet, but if it's a way to catch up on the great movies you've missed that you're after, then you really can't go wrong with NBC Universal's offerings.


Such an intimate set-up as it is, there are certain films that probably aren't best served when you're sitting on a train, but it's a testament to the quality of most of the choice on offer that you really don't notice the difference between cinema and iPod screen. It helps that NBC Universal's current crop includes the likes of Frost/Nixon (an intense double-header that actually benefits from the intimate iPod set-up), Duplicity (a jaunty international espionage tale which happily transports users away from the banality of the 07.44 to Victoria) and The Unborn (a neat little horror that's perhaps a little too effective - nobody needs to see a grown man jump out of his skin on a packed train!).


The point I'm trying to make here is that there are options for my fellow track-travellers. Books are all well and good if you want to broaden your horizons, getting work done early is fine if you want to advance your career, reading a copy of Metro is great if, well, there's never an excuse to read that rag... but if it's a way to escape the humdrum and make those few hours pass by in a constructive and, above all, entertaining way, well fellow pilgrim, I say you should get downloading.


To find out about how to download NBC Universal's online offerings, simply sign up to iTunes (click here to find out how) and then click here to see what all the fuss is about...


Glen Ferris
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